One for the Ambush Predator’s zoo
I’ve noted before that with the move online newspapers have found they have far more space than they used to, and on slower news days seem to have often given in to the temptation to fill up some of that vast space with, well, shit. To be fair they always did this with the dead tree editions before there was an internet and they’ll probably continue for as long as the cult of Sleb exists no matter what the medium. No major crimes, wars, political stupidity and/or ill advised affairs? No problem, just write half a page of repeated gossip about some soap actress and follow it up with a page and a half of speculation.
But with the move to the digital media newspapers came up with a brand new form of crap padding: images. Almost every article, no matter how mundane, must be accompanied by a picture. David Cameron made a speech? Quick, get me a photo of David Cameron in case everyone’s forgotten what the fucker looks like. And make sure it’s a picture of him talking in case the readership has forgotten what making a speech is as well. Shooting incident? Get me a picture of a gun right now, even if it’s the wrong gun. Yes, even if it’s not the right kind of gun. Warble gloaming and claims about the hottest decade on record? Get me an image about something hot… yeah, of course a stock photo of a hot girl will do just fine. I’ll be in the gents for ten minutes if anyone’s looking for me.
But where they often smash through the bottom of the barrel is with filler in the form of a pointless picture gallery, such as this one about a train crash yesterday south of Melbourne. Why? What extra information does The Age think we’ll get from 16 photos of train wreckage that we can’t already glean from one of the initial articles plus follow ups and video? Worst of all is when the gallery exists solely because of some minor entertainment story or for no apparent reason at all, because that’s when they seem to give the job to work experience kids, bored couriers waiting for someone to sign for a delivery and, perhaps in the spirit of Douglas Adams’ Megadodo Publications, random people who wandered into the building by mistake and haven’t found their way back out yet.
Why the fuck I even click on these sometimes is beyond me – I’m sure someone will say it’s an addiction, which may be the topic of an upcoming blog – but from time to time I do. And just now I spotted one that belongs in JuliaM’s collection of wolverines labelled as bears, deer standing in for moose, jaguarundis with ambitions of being jaguars, and infinitely interchangeable buffalo and bison. The gallery is about celebrities who look like animals, and in it Liza Minelli is somewhat unkindly compared with an emu.
Personally I don’t see much emu-ness about her in that picture but these things are necessarily subjective. The thing is I don’t see much emu-ness about the picture on the right either, and that might be because I’m pretty sure that it’s a fucking ostrich.
The neck of the Emu is pale blue and shows through its sparse feathers. They have brown to grey-brown plumage of shaggy appearance; the shafts and the tips of the feathers are black.
This would be bad enough if it was The Teletubbygraph and its dyslexic approach to zoology again, but in this instance it’s an Australian website stuffing up the identity of a bird that doesn’t exist anywhere apart from Australia, the coat of arms of Australia and, until he died, under the fake arm of an Australian entertainer. So for people everywhere chained to desks without food until they’ve made a pointless photo gallery for the online edition of some newspaper here’s a very easy way to tell the difference: ostriches are the ones with the teeth.